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Hell

from SALT by Tatters & Rags

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  • Record/Vinyl + Digital Album

    This is a beautiful 12" pressing of SALT, done on translucent white vinyl at 45 rpm for best sound quality. The sleeve was lovingly designed by the band, sourced from a painting by Ivan Aivazovsky, and took inspiration from the great jazz jacket designs from the 60s and 70s.

    Each record comes with a unique download card, entitling the purchaser to a free digital download of the album as well.

    Includes unlimited streaming of SALT via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 1 day
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      $14.99 USD or more 

     

lyrics

I've heard it tell, I'm on my way to hell
For doing what I do, and acting like myself.
But, I don't mind, I'm feeling fine
And everyone I know says I'm a real good time.

I'm on my way to hell, I'm on my way to hell
I'm doing what I shouldn't and ruining my health
I'm on my way to hell, I'm on my way to hell
Heaven help me man, I'm on my way to hell

If you set them up, I can throw them back
So fast you'd probably like to have a heart attack.
I may stray, but I'm doing OK
And I wake up with a smile on my face every day

I'm on my way to hell, I'm on my way to hell
I'm breaking all the rules and ruining my health
I'm on my way to hell, I'm on my way to hell
Heaven help me man, I'm on my way to hell

When this whole thing passes I'll be smoke and ashes
But I just want to live before I die.
Send my soul down later on an escalator
But for now just throw more fuel on the fire

I'm on my way to hell, I'm on my way to hell
I'm smiling in the sunshine and I'm feeling swell
I'm on my way to hell, I'm on my way to hell
I'm burning up and happy on the way to hell
I'm on my way to hell, I'm on my way to hell
I'm breaking all the rules and ruining my health
I'm on my way to hell, I'm on my way to hell--
Help me, Jim Altieri, I'm on my way to hell.

credits

from SALT, released April 19, 2016

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Tatters & Rags Brooklyn, New York

Brooklyn post-punk skronky-tonkers Tatters & Rags tackle familiar themes of heartache, loneliness, and the bottle, but with a love for the traditional fable that suggests Harlan Howard on a bender with the Brothers Grimm.

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